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Cover and Uncover: Eric Cameron

Submitted by Anonymous on Thu, 06/04/2015 - 8:27am

Ann Davis (Editor)
Peggy Gale (Contributor)
Diana Nemiroff (Contributor)
Thierry de Duve (Contributor)
978-1-55238-534-0
(Paperback)
978-1-55238-535-7 (Institutional PDF)
978-1-55238-591-3 (ePub)
$49.95 CAD / $59.95 USD
140 pages
Fifty colour and black & white illustrations
Art in Profile: Canadian Art and Architecture
November 2011

Book

Details
About the Book: 

Eric Cameron is a major contemporary Canadian artist. Born in 1935 in Leicester, England, he arrived in Canada in the 1970s and has taught at the University of Guelph, the Nova Scotia College of Art and Design, and at the University of Calgary. Over the years Cameron has also continued to work in his primary medium, painting, but moved from traditional figuration to a highly conceptual practice with both his process paintings and his "thick" paintings. He has also expanded into video and has written a great deal about his work. His inspired teaching and unusual art have been recognized with major awards, including the Victor Lynch-Staunton Award (1993), the Gershorn Iskowitz Prize (1994), and the Governor General's Award (2004). Despite Cameron's prominence, much of the writing about him to date, primarily essays in exhibition catalogues, is by the artist himself. Cover and Uncover thus makes a major contribution to the field as it explores in depth Eric Cameron's art and philosophy. The book is composed of four essays, each covering a different aspect of Cameron's art, starting with Peggy Gale's analysis of his writing, then turning to Ann Davis's consideration of his process paintings and his philosophy, moving to Diana Nemiroff's review of his videos, and concluding with Thierry de Duve's observations on his Thick Paintings and his blind rejection of chance. The essays, though written independently, resonate with each other so that the reader comes away with a full picture of a complex artist, his life, his thought, his art production, and how these elements inform each other and have evolved through time. The expert commentary here, richly illustrated with Cameron's works in multiple media, provides a vital and long overdue critical lens through which to view this important artist.

About the Author(s): 

Ann Davis is Director of The Nickle Arts Museum at the University of Calgary and a prominent art critic, curator, and teacher. She is the author ofThe Logic of Ecstasy: Canadian Mystical Painting 1920-1940 and numerous articles and essays on twentieth-century Canadian art.Peggy Gale is an independent curator and critic whose texts on contemporary art have become artistic benchmarks. Videotexts, a selection of her essays, was published in 1995, and she was the winner of the 2006 Governor Generals Award in Visual and Media Arts.Diana Nemiroff is Director of the Carleton University Art Gallery in Ottawa and a former senior curator at the National Gallery of Canada. She is also an adjunct professor with the School for Studies in Art and Culture at Carleton University and in the Department of Visual Arts at the University of Ottawa. She has published extensively on contemporary Canadian and feminist art.Thierry de Duve is a historian, curator, teacher, and theorist of contemporary art. Born in Belgium, he has been a visiting professor at University of Lille III and the Sorbonne, among others, and has authored numerous books, includingKant after Duchamp(1996).